Richard Arnell - Symphony No. 3 (1944)
Conducted by Martin Yates with the Royal Scottish National Orchestra.
I. Andante - 00:00
II. Allegro Assai - 7:02
III. Andante - 21:27
IV. Presto - 36:50
V. Andante Maestoso - 42:25
VI. Allegro - 44:06
Richard Anthony Sayer ("Tony") Arnell was an English composer of classical music. Arnell composed in all the established genres for the concert stage, and his list of works includes six completed symphonie and six string quartets.
Arnell was born in Hampstead, London. He studied at the Royal College of Music in London from 1935 to 1939, and was taught there by John Ireland (composition) and St John Dykes (piano). He was awarded the Farrar Prize for composition during his final year at the college. At the outset of the Second World War, attending the New York World Fair, Arnell (along with other English composers, e.g. Arthur Bliss) was stranded in New York, and stayed on until 1947, thereby finding himself in the position of having an established reputation in the U.S., but remaining relatively little known in his homeland. During his American soujourn, Arnell was the Music Supervisor for the BBC in North America, and was commissioned to compose (to a text by Stephen Spender) a cantata, The War God, in celebration of the opening of the United Nations, as well as a fanfare to greet Winston Churchill's arrival in New York. His music has been championed by Thomas Beecham, Leopold Stokowski and Bernard Herrmann, among others and most recently by Martin Yates (one of his composition students at Trinity). Between 1947 and 1987 he taught at Trinity College of Music in London, where his students included Peter Tahourdin (1949-52).
Arnell composed the music for The Land (1942), a 45-minute documentary film directed by Robert J. Flaherty for the U.S. Department of Agriculture. He was also commissioned by the Ford Motor Company to compose a symphonic suite inspired by the workers in the factory at Dagenham. The resulting work accompanies a film entitled Opus 65. Arnell established and headed the Music Department at the London International Film School until his retirement in the late 1980s. He established a reputation as a major composer for the ballet stage through collaborations with choreographers of the stature of George Balanchine, John Cranko and Frederick Ashton. His many ballets have been successfully staged in both New York and London. His score for Punch and the Child was recorded by Sir Thomas Beecham with the Royal Philharmonic Orchestra, a recording which has seldom been out of the catalogue.
Arnell is acknowledged as being one of the most masterful orchestrators of the twentieth century, Sir Thomas Beecham describing him as the best orchestrator since Berlioz.
