Pelleas und Melisande, Op. 5 (1905)
Conductor: John Barbirolli
Pierre Boulez |
A symphonic poem for large orchestra by Austrian composer Arnold Schoenberg (1874-1951), his first orchestral work. It is based on the French Symbolist play "Pelléas et Mélisande" by Maurice Maeterlinck.
The following is a synopsis of the opera "Pelléas et Mélisande" by Claude Debussy, based on the same play by Maeterlink:
"Golaud, out hunting in the forest, loses his way. Hearing the sound of weeping, he finds Mélisande and persuades her to come home with him. In Arkel's castle,
e third scene Pelléas and Mélisande meet outside the castle. In the second act Pelléas is showing Mélisande the castle grounds. They sit by the side of a shady fountain, where, as the clock strikes midday, she drops the ring that Golaud had given her. In the castle Golaud is resting. At midday his horse had thrown him. He notices that Mélisande no longer wears the ring he gave her, and angrily tells her that she must find it, with the help of Pelléas. In the following scene Pelléas and Mélisande enter the cave where she has told Golaud she had lost the ring. They find paupers sleeping there, and quietly leave. In the third act Mélisande, at the window of a tower in the castle, is combing her hair for the night. Pelléas comes to the foot of the tower, from where he can fondle her hair. Golaud emerges, to upbraid them for their childishness. He leads Pelléas down to a disuse
Belgian writer Maurice Maeterlinck (1862-1949) (Photo credit: Wikipedia) |