Symphony No. 1 (Sinfonia Breve) (1929)
Conducted by Christoph König with the Malmö Symphony Orchestra.
Symphony No. 2 (Sinfonia Espressiva) (1932)
Conducted by Paavo Järvi with the Malmö Symphony Orchestra.
Symphony No. 3 (Sinfonia Del Mare) (1946)
With Malena Ernman (Mezzo-Soprano). Conducted by Christoph König with the Malmö Symfoni Orkester.
Symphony No.3 Sinfonia del Mare (1946-48)
Libretto: Ebba Lindqvist
Mov.I: Lento 00:00
Mov.II: Allegro 08:24
Mov.III: Lento 13:32
Mov.IV: Allegro 23:50
Mezzosoprano: Charlotte Hellekant
Orchestra: Sveriges Radios Symfoniorkester
Conductor: Evgeny Svetlanov
Gösta Nystroem - Symphony No. 4 (1952)
Conducted by B.Tommy Andersson with the Malmö Symphony Orchestra.
I. Lento - Allegro - Lento - 00:00
II. Allegro Scherzando - 8:40
III. Allegro - 14:07
Nystroem, originally Nyström, was born in Silvberg, Sweden, a parish in the province of Dalarna, but spent most of his childhood in Österhaninge near Stockholm, at the time a small village but nowadays a suburban district. His father was a headmaster and an organist. In his younger days, Nystroem was both a composer and a painter (one of the first Swedish Cubists), but when he was about thirty years old, he eventually decided to focus on music.
He studied composition in Stockholm, Copenhagen, and Paris. Among his teachers in Paris were Vincent d'Indy and Leonid Sabaneyev. After living in France, mostly in Paris, for several years, he moved to Gothenburg on the Swedish west coast in the 1930's, where he also worked as a music critic. In the 1950s he settled in Särö, a rather wealthy village about twenty kilometres south of Gothenburg, where he had a house that originally belonged to the family of his first wife, Gladys Heyman, whom he married in 1921 in France. The couple had three daughters. Gladys died in 1946, and in 1950 Nystroem got remarried to Helen Lyon, who, like Gladys Heyman, came from an upper class Gothenburg family. In Sweden, Nystroem was regarded as a modernist in the 1930s, but in today's view, his music is only moderately modernistic. It is influenced by the French music of the time of his studies, but still has a Nordic, romantic tone, and is most often melancholic or sorrowful. As a person and artist Nystroem was dependent on the sea and preferred to live close to it.
Among Nystroem's most appreciated works are his romances. The most widely known collections are Sånger vid havet (Songs by the sea, with orchestra or piano, 1942), På reveln (At the reef, with piano, 1948) and Själ och landskap: nya sånger vid havet (Soul and landscape: new songs by the sea, with piano, 1950). The poet apparently closest to Nystroem's soul was the Swedish female writer Ebba Lindqvist (1908-1995). They shared a deep relationship with the sea. Five settings to music of Lindqvist's poems are to be found in the romance collections mentioned above.
Nystroem composed six symphonies. Among these, Sinfonia espressiva (1932-37) and Sinfonia del mare (1946-48) are considered to be the best. Sinfonia espressiva grows from a slow first movement scored for strings and timpani. In the second and third movements, groups of wind instruments and percussion are added, and only the finale is scored for full orchestra.
